![]() ![]() What did the political changes of 1918 bring to the Croatian Music Institute? The end of World War I resulted in financial crisis in Croatia, and of course the situation was also difficult at the music institute. Arthur Schneider and his Series of Concerts (1830–1916), the government had so many other important things to solve that it simply confirmed the school’s status as a conservatory without asking any questions. In the middle of World War I, and only one month before the death of the elderly emperor Franz Joseph I. ![]() Instead of waiting for an authorization, the music institute declared its school to be a conservatory in 1916. The Croatian Music Institute’s music school grew both in the number of pupils and teachers and in its importance in the 1890s, but the administration of the music institute appealed in vain to the Croatian government to have the school elevated to the rank of a school of advanced music education ( konzervatorij). There were some constants through all periods, like the organization of concerts. The key points in this development were its founding in 1827 (when the first concert of its amateur orchestra was performed), the establishment of a music school in 1829 (which proved to be a far-reaching goal in its own right), the dissemination of Croatian music through the publication of sheet music, and the erection of a building with a concert hall in 1876. ![]() The Croatian Music Institute had a historical path similar to other Musikvereine in the monarchy, such as the Gesellschaft der Musikfreunde in Vienna. It is the oldest continuously active Croatian cultural institution and has managed to maintain its independence in different political administrations. The Hrvatski glazbeni zavod (Croatian Music Institute), a society of music ( Musikverein) with a 190-year-long tradition, has a special place in the musical life of Croatia. ![]()
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